As a text face, Lungta has a character of its own: a particual sturdiness yet sober and simple in design, with large open counters. Although it has some oldstyle characteristics, a modern approach was used towards the design of its capitals and serifs. Also the italic is based on modern principles: having a gentle slope of 10° and being slightly condensed, not to interfere much with the overall color when set together with the roman in the same text.
Diacritics were subjected to a detailed and careful examination which resulted in applying a different angle when used on the uppercase.
Influenced by the designs of W.A. Dwiggins, the abrupt change of curvature in the counters gives it a dynamic, vivid feeling. To match with the Tibetan however the angle was smoothed to produce a more graceful and less explicit design. All previous elements make Lungta suitable for use in large paragraphs of text set in small sizes.
As OpenType font Lungta supports following features among others: ligatures, discretionary ligatures, historical forms, oldstyle numerals, tabular or proportional lining numerals, numerators & denominators to create frations, case-sensitive forms. More OpenType features will be added in the future.